“Slothrust have released some their best songs yet on their recent album ‘Everyone Else’. The Brooklyn-based trio’s music-replete with lo-fi guitar, abrasive vocals and lyrics full of awkward yet affecting metaphors alongside blunt emotional confessions…” – Alternative Press“Everyone’s Else stands out, making the two year period wait worth every moment” 4/5 Boobs -BUST Magazine
“Tender fingerpicking passages lurch into crashing speed-metal crescendos, loping country-western equestrian odes edge into menacing horror-movie pizzicato and back again.” – Village Voice
“…a rip-roaring quick hit that places Leah Wellbaum’s gravelly voice over some ferocious-sounding guitars.” -Stereogum
“Listen to songs by Slothrust, and you’ll hear aggressive sounds that hearken back to early-’90s rock bands like Nirvana and Dinosaur Jr. Listen more closely, and you’ll also hear elements of the blues that the band’s members learned when they met in their college’s jazz program.”
– NPR MUSIC
“Slothrust exemplify how colorful, fun and insightful rock music can be. The best kind of weird.”
Today Slothrust has shared a live video covering the Louis Armstrong classic “What A Wonderful World” on Brooklyn Vegan. Their most recent album ‘Everyone Else’ is out now on Dangerbird Records. It produced three singles, “Rotten Pumpkin“, “Like A Child…“, and “Horseshoe Crab“. Also check out the in-depth interview they did with Nylon while premiering the video for “Rotten Pumpkin”.
With their long-awaited third album, Slothrust deliver ten riveting anthems that reward repeated listens. The songs grab the ear and pierce the psyche with complex arrangements and lyrical depth intensified by guitarist/vocalist Leah Wellbaum’s penetrating vocal delivery.
Slothrust is Wellbaum, Kyle Bann (bass), and Will Gorin (drums). The trio first staked out their unique strain of jazz- and blues-afflicted rock as students at Sarah Lawrence College. The band’s 2012 debut Feels Your Pain, and its successor 2014’s Of Course You Do, established the band as a breed apart, serving up deceptively clever epics that veer satisfyingly between incandescent riffing and pop hooks, winsome anxiety and powerful heft.
“People have always had trouble comparing us to other bands, but someone recently described us as Nirvana meets Wynton Marsalis, and I loved that,” says Wellbaum. Even the band’s name inspires a beat of thoughtful consideration as the eyes take in the letters and the brain makes its snap judgement: Slo Thrust? Slot Rust? Slo Trust? Sloth-Rust.
We all studied jazz and blues, so I often use chords and voicings that aren’t quite as conventional for contemporary rock,” she continues. “Certain harmonic movement can get stale, so I try to incorporate colorful notes to give it more depth. The improvisational spirit of blues music is also something we try to always keep with us, even in more composed playing. I am drawn to musicians a bit further outside of the rock tradition, such as John Fahey, Elizabeth Cotten, D’Angelo, and Portishead. Growing up I listened to a lot of R&B and classical music. And musicals.”
While Everyone Else clearly shows Wellbaum fulfilling her early promise as a singer, it’s where she hits her stride as a lyricist: Pulling the listener under the surface to explore a submerged world brimming with exotic creatures. Water motifs abound, detailing oddly off-kilter observations about floating, submerging and drowning that are anything but morose. Instead, they contort and reflect worldly truths about life on dry land.
Nowhere is this vision clearer than on the slow burn of the album’s centerpiece track “Horseshoe Crab.” Here, with storm cloud riffs and Will Gorin and Kyle Bann’s perfectly calibrated rhythmic undercurrent, Slothrust erupts in a geyser of emotional and spatial distance, as Wellbaum observes, “I don’t have anything in common with myself, except that I came from the sea, like everyone else did.”
“Like a Child Hiding Behind Your Tombstone” opens like some bizzarro world lullaby dispensing sage advice: “Drink seltzer, smoke weed when you can’t sleep. Think about shooting birds, everyone has got a violent streak.” Then, as the guitars explode, the rhythm section dials into stylish, disciplined groove to set up an expansive instrumental break that gently floats to a close with Wellbaum, at peace: “Hold me under the water. My lungs are filling with plankton. But the lake is not lonely. No need for you to come with me.”
Above all the overriding ethos of Everyone Else is its sense of inclusiveness: all people, every feeling, quiet, loud, any time signature. With a snap of the neck the band launches into the hyper-adrenalized “Rotten Pumpkin” with Wellbaum singing in a rapid-fire vomit burst, “I’ll make you sick because I’m soft water. Reach inside of me, and scoop out my seeds.” This midpoint between grunge and art rock is the aesthetic Slothrust elevates: sharp-eyed individualism, serious musicianship, humble intelligence, controlled abandon.
EVERYONE ELSE – TRACKLISTING
01. Surf Goth
02. Like A Child Hiding Behind Your Tombstone
03. Rotten Pumpkin
04. Horseshoe Crab
05. Pseudo Culture
06. The Last Time I Saw My Horse
08. Trial & Error
09. Sleep Eater