Legendary MISFITS Guitarist Doyle Wolfgang Von Frankenstein Set to star in DON’T LOOK IN THE BASEMENT Remake: DEATH WARD 13
FOR IMMEDIATE RELEASE:
March 13, 2017 – Los Angeles, CA – Legendary Misfits Guitarist Doyle Wolfgang Von Frankenstein is set to star in DEATH WARD 13, a remake of the cult-classic film DON’T LOOK IN THE BASEMENT. With his iconic Devilock hair and impressive physical build, “Doyle” is best known as the guitar player for the American horror punk band the MISFITS and will play the most terrifying character in the film. Now in pre-production, DEATH WARD 13 is directed by award-winning horror filmmaker Todd Nunes (ALL THROUGH THE HOUSE) and produced by The Readmond Company.
”I’m looking forward to starting my movie career with a starring role in “Death Ward 13”says Doyle. “It’s time to release the beast on the big screen. Let the killing begin!”
“With Doyle’s horror punk background, we’ve always been looking for opportunities to have him cross over into film, but nothing has sparked his interest until now”, says Bruce Miyaki (Insane Management.) “Death Ward 13 is a great breakout film for Doyle – his fans are going to love it.”
Although he is known for playing guitar with the horror punk band the Misfits, which helped create the horror punk genre, Doyle also has a solo project rightfully named DOYLE. In 2013 Doyle released the Abominator album with Monsterman Records, and he is currently on tour in the USA supporting his new CD As We Die in stores May 5, 2017 through the Monsterman Records/EMP Label Group. DEATH WARD 13 is Doyle’s first starring role in a film; he is currently in talks with the film’s producers and Monsterman co-founder Bruce Miyaki to provide music tracks for the soundtrack.
DEATH WARD 13 is inspired by S.F. Brownrigg’s DON’T LOOK IN THE BASEMENT (1973) and Edgar Allen Poe’s short story “The System of Doctor Tarr and Professor Fether” (1845). DEATH WARD 13 promises to deliver a thrilling grindhouse-inspired remake with a shocking collection of criminally insane patients: botched lobotomies, necrophilia, sexual deviance, and violent psychopaths.
“I’m excited to work with Doyle,” says director Todd Nunes. “Doyle will be portraying a ruthless killer called The Duke – a psychopath and the most twisted and terrifying character in the movie. I’m a big fan of Doyle and his music and always thought he would make a menacing horror movie villain. With his threatening looks and massive build, this man will scare the crap out of everyone. Get ready for a horrifying ride!”
DEATH WARD 13 is Todd Nunes’ bloody love letter to DON’T LOOK IN THE BASEMENT. This reimagined version will give fans a taste of the original film with added practical effects and bloody gore for modern horror fanatics. DEATH WARD 13 will also feature more nurses, freaks, and blood as well as a brutal climax with an updated, disturbing twist.
SYNOPSIS: It’s 1973 and the Stephens Sanitarium for the Criminally Insane prepares to shut down permanently. Days before closing, four beautiful nursing students arrive to care for the last handful of “harmless” mental patients in a suspiciously understaffed ward. Confronted by their violent charges, the nurses soon realize that they are trapped inside the asylum with a deadly crew of vicious lunatics. Each patient has their own perverse identity, their own personal demons, and their own violent agenda. Pushed to the brink of insanity, the young nurses find themselves in a gruesome fight for survival inside Ward 13.
DEATH WARD 13 will begin shooting in 2017 with Todd Nunes partnering again with producers Stephen Readmond and Christopher Stanley. The team’s Santa slasher ALL THROUGH THE HOUSE (2016) received 23 awards and nominations, including the following wins: Best Slasher (RIP Horror Film Festival), Best Actress, Jessica Cameron as Sheila (Hardcore Horror Fest), Best Killer/Slasher (“Golden Skulls” Award, The Horrific Network), and Best Director (Hardcore Horror Fest).
DEATH WARD 13, written by Todd Nunes and Tara Knight, is a feature-length film by The Readmond Company, 4700 W. Jefferson Blvd, Suite 101, Los Angeles, CA 90016. email@example.com, www.deathward13.com, https://twitter.com/DeathWard_13, https://www.facebook.com/DeathWard13.
Lodi, a small borough of Bergen County, New Jersey, is just over two square miles. There’s not much to suggest that the small village would be the birthplace of a world famous, blood-soaked form of music known as horror punk. Legendary acts The Misfits, Samhain, and Danzig all have their origins in Lodi, and something monstrous indeed lurks there. The poster child and originator of the genre, himself, has once again unleashed an evil noise on an unsuspecting world: Doyle Wolfgang Von Frankenstein’s first release, Abominator, by his eponymous band, Doyle.
Released on Doyle’s own label, Monsterman Records, Abominator is a sonically thick and lyrically evil slab of metal that finds Doyle expanding in a logical progression upon the genre of music he helped create. Doyle’s first band, the infamous Glenn Danzig-fronted Misfits, helped create the genre of speed/thrash metal with their last album, 1983’s Earth AD/Wolf’s Blood– in fact the record has been revered as one of the blueprints for the genre by many of its most respected players, as evidenced by countless groups covering the album’s songs, not the least of which being Metallica. Abominator is not the sound of some punk guitarist gone metal- it’s the roaring return of one of extreme metal’s original architects to his blood-splattered drawing board.
Coming from a legendary band of almost mythological proportions, and having first worked with one of the most talented and respected vocalists of the century (the infamous Glenn Danzig), Doyle’s new project would need a singer with brass balls, cast-iron pipes, a suitably twisted mind, and his own vocal delivery style. Enter Alabama’s Alex Story of Cancerslug, a Southern fiend who’s sand-blasted scream opens the record, and the evil doesn’t relent until the ending growl of “Hope Hell Is Warm”, the album’s defiant closer. The man can scream and sing, and employs both styles to great effect, switching seamlessly from raw-throated roars to rough-edged, yet melodic, clean vocals. Alex’s live performances can only be described as unforgettable, disturbing and strangely addictive – a perfect complement to the already mammoth stage presence of Doyle himself.
The unmistakable sound of Doyle’s signature Annihilator guitar cuts through on every tune like a sonic fingerprint, starting with the snarling opening title track Abominator. The Annihilator’s tone is sharp as a butcher’s knife in the wrong hands and just as nasty- fans of the Misfits will recognize it right away.
On tunes like “Headhunter” and “Land of the Dead” the riffs are relentless, and if a riff could be described in emotional terms, remorseless. “Dreamingdeadgirls” brings a blackened-blues swing, and the doom-laden “Love Like Murder” shows a healthy appreciation for all things Sabbath. “Blood Stains” moves from primal sludge to ripping off-time thrash with ease. The album is just that- an album, a cohesive and well executed piece of work that takes the listener on a journey; albeit a bloody journey to places some fear to tread.
As befits songs as musically dark as Abominator‘s, the album’s lyrics are not for the faint of heart. Throughout the entire record, there is absolutely zero attempt to balance its evil with any sort of good counterpoint- penned entirely by Story (probably in blood), Abominator‘s lyrics are entirely and uncompromisingly dark. Music fans looking for feel- good anthems had best look elsewhere- those who enjoy strolling through the shadows will be greatly satisfied.
So how did this Jersey devil and crew wind up with a Dixie-bred howler? “After I had written all this music, I realized I had to get someone to sing this stuff- once I’m done recording guitars, all I can see is myself just playing that riff, ya know? That’s my thing, not lyrics and singing,” Doyle says, with typically blunt candor. “I’ve known Alex for a while, so I called him up, then sent him a bunch of the tunes. Two days later he sent me back ‘Mark of the Beast’, just like it is on the record. I said ‘That’s exactly what I want!’, and the rest is history. I only wrote the word ‘abominator’- all the rest of that stuff is Alex. He’s just crazy, man”.
It’s a match made in hell. But no metal band would be complete without a complete animal behind the drum kit. Brandon “The Crusher” Pertzborn (of Black Flag) delivers all the aggression and insanity necessary (and then some) with his exquisite musicality and showmanship.
So what can fans expect at a Doyle show?
“To get fucking pummeled, man. And then go home and ask themselves ‘What the fuck just happened to me?!?’, hahaha…” he replies with a laugh that this time, no joke about it, actually sounds evil. Loud, aggressive, and technically proficient, Doyle and crew are set to show the world how true horror metal sounds today.
So crank up Abominator until your speakers blow, check out Doyle on tour, and let the beatings begin!
written by: Randy Blythe of Lamb of God
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